Jazz Music Essay Example | Topics and Well Written Essays - 750 words

make do Music - Essay ExampleIn accompaniment the pecuniary limitations of the multi million dollar music publishing business make it necessary to package melodious musical genres with appropriate labels so as to facilitate their mass marketing and sale. Yet, there exists one musical genre that defies all definitions and commercial constraints and stands apart in a class of its own. That musical tradition is known as distinguish. cut is an art form of contradictions and surprises and happens to be a strange mix of conformity and rebellion, tradition and novelty, radiation pattern and improvisation, discipline and impetuosity. hit the sack is every thing that one seeks in a musical composition and compose it always seems to be so fresh, new and exotic (Miles 37). In fact, it is this very quality of play that makes it so typically American. Jazz originated in the port city of New Orleans at some cadence around 1895, that was and is the home to a diverse and multicultural po pulation that included blacks, Hispanics and European immigrants. The history of Jazz is in fact akin to the history of America. The various ethnic communities residing in New Orleans happened to be the custodians of musical traditions originating from Europe, Africa and Latin America. It is difficult to say when and how, but Jazz emerged as a formative tradition that was the result of the juxtaposition and coalescing of these diverse musical traditions. Initially it was performed and played by really small groups who by and large resorted to improvisation and spontaneous composition, while exhibiting an astonishing aptitude for classical music and a diehard mind for African and Latin notes (Aaberg 1). One special thing about these performances was that no one performance sounded likes the other, up to now if it involved the same musicians and singers. Even today this trait happens to be the hallmark of jazz music. Eventually the Jazz groups gradually started moving to Chicago in the 20s (Aaberg 2). These vagrant performers continuously experimented with their music and the Jazz music that true in these times is known as the too soon Jazz (Aaberg 2). As expected, Jazz was never to receptive its panache for evolution. The music that was till now confined to small groups gave way to big bands in the early 40s. Still there was no dearth of performers who preferred to go solo. This period in the history of Jazz is known as the swing era (Aaberg 3). Some of the noteworthy bands of this era were Jimmy Lunceford, Duke Ellington and Fletcher Henderson (Aaberg 3). There overly existed a special class of bands who were more into the dance music. Yet, the era of big Jazz bands was not to move for very long. In the 50s and 60s, Jazz musical split into a range of styles such as Be pop, More, Cool, Funky and Free Jazz (Aaberg 4). Be pop was a more straight jacketed approach to Jazz in the sense that it insisted on pleasing the musicians rather then appealing to the masses (Aaberg 4). Thus it had a limited financial scope. Cool Jazz was more experimental in its perspective and often integrated musical instruments like oboe and flute that were never traditionally related to Jazz (Aaberg 4). Funky Jazz was basically inspired from the black spirituals. One common thing about all these Jazz styles was that they were in the main solo driven. However, sometime around the end of 1970, the age of big bands was to come back. The introduction of electrical instruments on the scene ushered in new opportunities and possibilities for the musicians and composers. Jazz was also not averse to this new trend. Hence originated the most